'Why Orwell Matters’ by Christopher Hitchens

(Basic Books, $15.95)

Why does George Orwell matter?  Frankly it depends who you listen to.  Was he hero or villain, socialist or conservative, patriot or traitor, modernist or misogynist?  It has become as fashionable for the Left, feminist, postmodernist and contrarian alike to denounce him, as it has been for those on the Right to claim him as their own.  It is into this confused and contradictory mess that Christopher Hitchens provocatively steps to recue Orwell in a brilliant and logical book.

For many journalists Orwell has become a revered figure, the patron saint of factual writing.  The sycophancy that surrounds his name would have appalled him.  He was a man who never shied from criticising his own heroes, and he was wary of any saint.  Indeed, Orwell once said of Mahatma Gandhi that “saints are always to be adjudged guilty until proven innocent.”

Orwell may have been equally amused with those who have attacked his works as with those who revere it.  Hitchens does not hesitate to destroy some of the fawning mythologies that have built-up around Orwell’s memory.  Instead he attempts to rebuild a more honest and rational legacy for perhaps the most influential of Twentieth Century writers.  One cannot help but feel that while Orwell might not have always agreed with Hitchens, he would have approved of both his techniques and the endeavour.

As a man of the Left who was denounced by his fellow travellers, Hitchens must have felt some empathy for the treatment Orwell received from his ideological brethren.  As an advocator of socialism whose roots lay in what he describes in ‘The Road to Wigan Pier’ as “an upper middle-class” upbringing, many of Orwell’s contemporaries viewed his politics with some scepticism.  Being an Eton Old Boy would only have added to the mistrust.  Such a background undoubtedly left Orwell with some intellectual baggage, however perhaps it was these contradictions as the perpetual outsider which gave his writing its concise, analytical, compassionate and balanced style.

Hitchens describes “The sheer ill will and bad faith and intellectual confusion that appears to ignite spontaneously when Orwell’s name is mentioned” by some from the Left.  Maybe it was the scathing attacks on fellow socialist thinkers, who he described as so awful that they were likely to put off the working man, which has made him an ‘enemy’ to some.  The most common mistake made in order to denounce Orwell, is to take the phrases spoken by characters in his fiction and then attribute them as if he was speaking himself, a literary error that schoolchildren should know not to make.  Hitchens takes these critiques and refutes them in a very compelling way.

Of the Right, Hitchens explains the numerous attempts made by conservative intellectuals to use or annex Orwell’s works.  As a writer who pioneered the opposition to Communism, championed individualism, disliked the instruments of government, believed in popular wisdom and who possessed a strong patriotic sense; it is easy to see how Orwell could be crudely painted as a Tory.  Hitchens dismisses these claims in what he refers to as the ‘body-snatching’ of Orwell.  While he may have had some conservative tendencies he fought intellectually against them all of his life.  You could by no stretch of imagination define his politics as being conservative.

A brief but interesting chapter outlines Orwell’s dysfunctional relationship with women.  Hitchens attributes this partially to an upbringing with a stern Mother and patriarchal Father, but generally concedes to the feminist arguments, except to show where they are overblown.  It is also fair to say that condemning authors of the past for failing the standards of today is a fruitful, but intellectually pointless pastime.

‘Why Orwell Matters’ is not only a well written, stimulating and informative book, it is also a necessary book, as his works needed to be rescued from his admirers and critics alike.  As Hitchens eloquently puts it, “Orwell requires extricating from under a pile of saccharine and moist hankies.”  With some of the ridiculous claims exposed as intellectually defunct or mere humbug, we can perhaps exhume Orwell’s truthful legacy.  It is one of insightful observations from the past which are so valuable to understanding the present.

This book also reminds us of Hitchens’ great strength as a literary essayist, something that is too easily overlooked because of his controversial polemics.  Gore Vidal once declared Hitchens to be his dauphin.  However there is a stronger case that when his work is viewed with perspective, Hitchens will be Orwell’s successor.

I cannot recommend this book enough.  

The Observer Years: Orwell

(Observer Books, £8.99)

Students of the English language, and for that matter politics, will be well aware of George Orwell’s published books. Orwell was, after all, kind enough to leave us some essays which outlined his thoughts on the literary process, and sets for us some rules on good composition. 

A wise man once told me that Orwell’s ‘Politics and the English Language’ and ‘Why I Write’, should be part of all aspiring non-fiction writers’ essential collections and memorised to heart before their pen has ever been set to paper.

Those who have read Orwell’s books may be less familiar with his work as a journalist and as a prolific critic of literature. Writing for an eclectic range of titles, including: The Adelphi, The New Statesman, New Writing, Horizon, Tribune and Contemporary Jewish Record; Orwell’s collection of articles and essays should be regarded with the same reverence that his polemic books enjoy.

In the ‘Observer Years’, Orwell’s insightful contributions to the Sunday newspaper from 1942 to 49 have been comprehensively compiled. In 2 sections, divided between articles and reviews, this book is ideal to dip into for brief distraction - what I term as a bathroom book - but it should be noted that it is difficult to put down.

The first part of the book contains Orwell’s articles, which range from Indian independence, the threat of Communist Russia, to political profiles. The larger part of this section, however, is a series of war reports dispatched from Europe as the Allies made their bloody way to Germany following D-Day. It is these that particularly catch the eye, as Orwell observes with his unnerving sharpness of thought, the complex post-liberation muddle of French politics. With his unswerving attention for detail, he regards the ruinous state of occupied Germany and the difficulties ahead in reconstructing this obliterated nation.  He also looks ahead to the 1945 General Election and curiously for Orwell, a man known for his strong convictions, does not make any firm prediction for the outcome.

The second part of this book concerns itself with Orwell’s book reviews, and whilst not as informative as his war reporting, does illuminate a keen intellect and an analytical mind. His reviewing style does not become mired with the miniature of the books detail, but instead Orwell analyses the themes and contrasts them with other authors’ ideas.  In many cases he looks at two contemporary books which tackle the same issue, with either similar or opposing conclusions.  It is clear that Orwell must have been a fertile reader, and whether tackling poetry, politics or potholing, among much else, his background knowledge was remarkable.

It is easy to understand how Orwell gained his reputation as a free thinking and uninhibited critic, as he does not shy from rebuking renowned authors. He dismisses ‘Vessel of Wrath’ by H G Wells as a collection of overpriced scraps, which are littered with tired and discredited ideas. Many critics would have been more reticent when reviewing a book from a feted author like Wells, and Orwell’s closing paragraph which acknowledges the prior greatness of his works, serves to rather emphasize the lack of esteem with which he held this particular offering.

The main virtue of ‘The Observer Years’ is to remind the reader that George Orwell was first and foremost a journalist. It was his abilities in the art of reporting which shaped all of his works, including his fiction. He had the gift of being able to describe what he saw with clarity, interpret a confusing world for his readers and then project the implications into the future.  This book may not be for everyone, but it is well worth reading.